Sunday 27 October 2019

Fodeba Keita - Guinee & Casamance EP [1959]

Got my player working properly again, still don't really know how. Opened, everything looked OK inside, but the left channel remained silent; closed it and still only silence on the left side. Then when just trying one hour or so later, hurrah, everything worked fine, full stereo sound!

1959, 7" EP, Le Chant du Monde #LDY.4048 - 33 tours 1/3

So happy to be able to present to you all the 1959 EP by Fodeba Keita et son Ensemble Africain with music from Guinee & Casamance. The order of that title is actually not according to what's on the disc, as there are first 4 tracks from Casamance [in creole] and then 2 tracks from Guinee [in soussou].
And more strange things with this EP, as checking info about it on the internet, I think I have the original first issue 1959 sleeve with a later reissue disc. I base that on comparing the versions of labels I have seen on various sites. I even sent an inquiry mail to those currently owning "Le Chant du Monde", musicsales.co.uk, but so far no reply.
Furthermore I think that although the disc is dated 1959, the recordings and preparations of it were done before on 1958.Oct.02 Guinee got back its independence from France. This EP is subtitled "Chants et Danses d'Afrique", while a later reissue "Chants et Danses de Guinee".

Liner Notes [in French]

La familiere Europe avec ses czardas, ses tarentelles, ses flamencos, legitimement reconnus, naturalises, localises, abandonne l'amoureux du folklore, pantois, au seuil de la musique africaine.
Ou donc donner de l'oreille? Ou apposer le rassurant cachet de l'authenticite?
Faut-il bailler aux monotones psalmodies documentaires des dignes ethnologues? S'effarer aux rythmes abusivement delirants des tam-tams cinemascopiques? Sourire aux pueriles exhibitions des boites negres a Paris?
Le folklore africain est-il aussi mort que l'Atlandide, aussi vierge que les forets inexplorees? Ou est le folklore africain? Mais ou sont les folklores d'antan?
Keita Fodeba ne se hasarde guere a resoudre d'aussi graves problemes. Pour lui, le folklore est bien vivant, quotidien. Il chante dans la melopee du griotte guineen, ce moderne troubadour des palabres africaines, il danse dans les refrains des creoles de Casamance.
Il dit l'amour, "fragile comme un oeuf, qui casse le sien est perdu" (Couri-Couri). Il proclame les charmes de (Carolina) ou clame une declaration d'amour par telephone (Telephonista). Et s'il accompagne les festivites traditionelles de la Circoncision, il donne aussi la recette du "mari ideal".
Bon pied, bon oeil, le folklore africain se moque des etiquettes et des puristes, il chante, donc il est.
--Dessin de G. JUSTH

Listen to the opening track:



GUINEE 1958 EP - Fodeba Keita [vinyl]


Fodeba Keita et son Ensemble Africain - Chants et Danses d'Afrique - Guinee & Casamance
1959, 7" EP, Le Chant du Monde #LDY.4048 - 33 tours 1/3
a1.Couri-Couri / a2.Aloa / a3.Carolina // b1.Téléphonista / b2.Laila / b3.Saidouba
tracknr.a1-b1: Casamance, dialecte creole portugais
tracknr.b2-b3: Guinee, dialecte soussou

Kante Facelli - guitare / Achkar Marouf et Yansané Kerfala - solistes


Fodeba Keita
Keita Fodeba was born 1921.Jan.19 in Siguiri [city in northeastern Guinee on the River Niger]. After completing his primary education in Conakry, the capital of Guinea, he attended William Ponti Institute in Dakar (Senegal). In 1944, he graduated with a teaching degree from Dakar. After teaching high-school students a couple of years in Senegal, he moved to Paris in 1948 and became an avid researcher of theater and dance. Eventually, in 1949, he founded The African Theatre of Keita Fodeba.
His first efforts of producing and introducing African style drama had many hardships. After a couple of years of struggling with language and cultural problems, he renamed his company Les Ballets Africains of Keita Fodeba in 1954. He chose dance as his primary attraction, because it allowed him to express many aspects of African life by using original rhythms created by numerous unique instruments.
The first Les Ballets Ahicains performance was staged at the Theatre Etoile de Paris in 1952 November. It was an instant success. After touring in France for a couple of years, Fodeba brought his company to Africa in 1955 and produced an extensive tour among French Colonies of West Africa. During that trip, he was selected to be Minister of Interior of the Republic of Guinea by Guineas former President, Ahmed Sekou Toure.
Fodeba later was invited to be the head of Defense and Security of Guinea, during the country's war to gain independence. After changing several positions within the government, he got arrested for political reasons on 1969 March 21 [ed.: not 1965 as in pdf] and was killed in prison. Guinea still mourns Keita Fodeba as the teacher who pioneered a dance company that connected African culture to the rest of the world and introduced its legacy with style and elegancy.
source: 2003/04 program of US Tour by Ballet Africains [pdf]

Kanté Facély
[= Kante Facelli, playing guitar on "Chants et Dances d'Afrique - Guinee Casamance"]
Kanté Facély was born in 1922 in Kissidougou [city in southern Guinee], where he had attended primary school until the middle course. In 1944, when learning to play the guitar by practicing tunes from Guinee, in Saint-Louis in Senegal he met Keita Fodeba. They became friends and together created an orchestra called "Sud Jazz". Facély was the principal animator of the orchestra, mainly intended to let people in Senegal hear the immense resources of the folk music from the Casamance to Cameroon. Later on they together started the artistic group called "Progrès". In 1948 Fodeba left Senegal and his friend and went to Paris, where he started another group, which over timer became the Ballet Africains. Some years later Facély reunited with Fodeba in Paris, joined thegroup and became the artistic director, the real soul, of the Ballet.
For Fodeba Facély was not only for a musical collaborator, but also a friend and a brother. His contribution to African art were immense, he was the first to record a rich repertoire of African songs magnifying, at a time when it was difficult, the magnitudes of the African past and embodying therefore the most dignified patriotic feelings.
Kanté Facély died in the night of 1961.Jul.11-12, when returning home from an international tour with the Ballet, his plane on its way from Prague to Conakry crashed in Casablanca. With his death African art lost one of his pioneers.
bio based on "Obituaire by Keita Fodéba and Declaration by président Sékou Touré"


1966 article written by Keita Fodeba [found Dec.10, added to the post, not included in download]

Ballets Africains: Universal Expression
1966 October 02 [sunday], The Los Angeles Times, Calender page 23

More about Fodeba Keita and the Ballets Africains

When collecting information for this post, I came across a lot of information about the Ballets Africains, programmes, articles, reviews, pictures, sounds and videos. Most are included in the download, here are some links for direct enjoyment:
  • Keita Fodeba et son ensemble Guinéen - Minuit: poème mandingue [2x78T, recital of poem "Minuit" in 4 parts] - listen at bibliotheques-specialisees
  • Keïta Fodeba et son ensemble africain - Laincima / Couri-couri [78T, incl.early version of the first track on the EP] - listen at bibliotheques-specialisees
  • Pictures at gettyimages [a mix of 1950s/60s and more recent]
  • 1950.Jan.19: Keita Fodeba et son Ensemble Guinéen - Theatre Program 1949-1950 [French]
  • 1954.March: Program [French - 2 versions at tce-archives.fr: 1690 and 1693]
  • 1954.May: the "ballet troupe" of Keita Fodeba featured in the Italian film "Carosello Napolitano" [dir.Ettore Giannini] - watch a scene at youtube
  • 1959.January: The True Meaning of African Dances - article by Keita Fodeba [The Unesco Courier, pages 18-23] - available at numeridanse.tv 
  • 1963.Sep.27: La Guinée, cinq ans après - Guinee, 5 years later [meaning: 5 years after independence from France] -  TV report for "Sept jours du monde" [14:58], mainly interview with Sekou Toure, including short clips of a.o.Ballets Africains [ca.8:00] and Les Amazones de Guinee [ca.10:15, I think] - watch it at fresques.ina.fr 
  • "Chants et Danses de Guinee" version of the EP was in 2011 posted at soulsafari [not the whole EP, only 2 tracks]  

label side A - differs from orginal "d'Afrique" and later "de Guinee" reissue I have seen
if anybody has more info about the issued versions, please comment to this post

PS: I'm very curious about the following details of my EP
  • the card which was inside the sleeve [incl.basic info about and a number, 195]
  • name written on backside of sleeve: BEEREN [underlined]
  • mixe-up of original 1959 sleeve with reissue version of disc [I think]
  • the earlier posted "Chaque Peuple sa Culture Vol-2" has a name written on the label of side A: SYLLA [encircled]
If anybody can shine some light on the above curiosities, please comment to this post


NEVER EVER FORGET:

"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Sunday 20 October 2019

Tamikrest 2011-13 Radio Sessions VPRO-BBC

As promised was planning to post vinyl, but got problems with my equipment. Yesterday my record player gave only signals through one channel [the left one], and full silence on the right side.Tried everything on the outside, buttons, cabling, shaking it upside down, sleeping one night and hoping it would return to normal. But allas no change, seems that I need to open the thing and check inside, hopefully I can work it out in the coming days.
So as I want to post something this weekend [every weekend!], I have to skip the promised vinyl [from Guinee, 1958!] and have to settle for something else.

Tamikrest 2011.Jul.03 at Metropolis Festival, Rotterdam [source:3voor12 VPRO]

Happens that last night the BBC repeated a 2013 radio session by Tamikrest. Dived into my archive and found another, Dutch, radio session by them. Togther I'll present these sessions here for your earful enjoyment.

About Tamikrest

Tamikrest are a group of desert nomads from Mali, Niger and Algeria. They have been branded the "spiritual sons" of Malian super-group Tinariwen.
Tamashek is the language of the Touareg, a nomadic people inhabiting the Saharan desert across various countries, including Niger, Algeria, Libya and Mali. The name Tamikrest is Tamashek for junction or connection or coalition. The seven members of Tamikrest, who originate from Mali, Niger and Algeria, came together to express their Touareg identity through Ishumar rock, the Touareg rebel music.
The band's leader and songwriter, 27-year-old [in 2010!] singer/guitarist Ousmane Ag Mossa explains: "When Touareg children arrive in the public Malian schools, they are soon confronted with an administration that refuses to see the realities our people suffer. Our hope is to have the world listen to our revolutionary songs, which reflect the harsh life conditions that our people endure."
Tamikrest's songs also praise the desert, a place that is fundamental for the Touareg.
source: 2010.May.28, Radio 3 World on 3 [when Tamikrest played it's 1st BBC Radio Session]


Listen to an album track from Tamikrest



TAMRIKEST-2011-13 - SESSIONS VPRO-BBC


2011.Jul.03 VPRO 3voor12 Session at Metropolis Festival
setlist: not given, and no time to work it out now [tot.16:59]
audio source: original video at above given link

2013.Oct.20 - BBC 6music Session - Cerys Matthews
setlist: Itous / Tisnant n'Chatma [tot.8:34]
audio source: rpt.2019.Oct.20, 6music Live Hour
bonus: Imanin Bas Zihoun [played on the same day at BBC ONE's Andrew Marr Show]


Related multi-media

  • 2011.Jul.03: VPRO 3voor12 Session at Metropolis Festival - video at vpro.nl 
  • 2013.Jan.27: What may the future hold for Mali? - BBC ONE
    with Andy Morgan, Ibrahim ag Youssouf and Bassekou Kouyate
  • 2013.Oct.20: Tamikrest live on the Andrew Marr Show - BBC ONE / UK only 
  • 2013.Nov.26: Report from the Sahel Festival in north of Senegal [incl.Tamikrest playing and interview] - video at bbc news 

PS: the BBC has broadcasted more recordings of Tamikrest [2010.May.28 Radio 3 Session / 2011.Jun.27 Radio 2 Session / 2013.Mar.01, Radio 3 - World on 3 - Concerts]. Don't have any of those, if anybody has some of it and able to share, please be so kind to comment to this post.



NEVER EVER FORGET:

"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Sunday 13 October 2019

Marema - 2019.Aug.17 Schokoladenmuseum, Köln

Before digitizing some vinyl, first a recent discovery!


Marema Fall  from Dakar, Senegal

Marema Fall is the new talent in Senegalese music. She was born in the Dakar suburbs to a Mauritanian father and a Senegalese mother. Her mother was a fan of Tracy Chapman, whose acoustic music joined young Marema in the cradle and would remain a key influence. Listening to Tracy's music made Marema decide to learn to play the guitar.
After graduating from the music school of the Maison de la Culture de Dakar in 2011, she began as a backing singer with leading Senegalese artists, including Didier Awadi, Yoro Ndiaye, Edu Bocandé, Metzo Djatah and Idrissa Diop. Meanwhile, she composed and wrote her own repertoire. Ivorian band leader and guitarist Mao Otayeck, known for his work with Alpha Blondy, Salif Keita, Tony Allen and Stevie Wonder, noticed her then and accompanied her in the production of her first solo recording.
Following the release of an initial single, "Femme d'affaires," in 2014 she won the Star Africa Sounds Jury Award, the Bema jury award and the prestigious Découvertes RFI award, enabling her to undertake a 15 countries tour. She was also nominated to the All Africa Music Awards in the "Best female artist in African inspirational music" category.
Marema’s music blends traditional influences with contemporary beats. Her borderless melodies touch upon African sounds as well as blues, pop and rock. Her repertory reflects her mixed identity. In "Femme d’affaires," the rock guitar meets the xalam, a popular string instrument in West Africa. In the song, Marena pays tribute to strong women who rely only upon themselves to move ahead. A talent urgently worth discovering.
source: www.festivalnuitsdafrique.com/en/artistes/marema/

no soundcloud pre-listen this time
as I didn't like to cut this live recording into separate tracks


MAREMA-20190817_MitAfrika Festival DE


setlist: 1.Alalu Aduna / 2.Dimbeuleunté / 3.Samba / 4.Beoeuley / 5.Initié / 6.Africa / 7.Marema Bayo Baye
rec.2019.Aug.17 MitAfrika Festival am Schokoladenmuseum, Köln
bc.2019.Aug.30, WDR,
Radio COSMO - Live [former FunkHaus Europa]


Multi-media with Marema

  • Marema's official twitter and facebook
  • Winner of RFI Prix Découvertes 2014 - rfi [french]
  • Introduction for the 2015 Africa Festival Würzburg - youtube
  • My Friend [2016 acoustic] - youtube
  • Femme d'affaires [2016 videoclip] - youtube
  • Africa Festival 2017 [full concert] - ARTE Concert [available till 2019.Dec.31]
  • Patriote [2019 videoclip] - youtube


Discography

2014: Femme d’affaires [single]
2014: Prix Découvertes EP [promo CDsingle]
2016: Initie [album, Mtg Prod]
2019: Patriote [?announced as album, but only found videoclip!? see above!]


NEVER EVER FORGET:

"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Sunday 6 October 2019

Idrissa Soumaoro - 2004.May.16 Kershaw Session


Idrissa Soumaoro [from the cover of a version of his album 'Kote']

 The musical credentials of Idrissa Soumaoro are impeccable. Having learnt his trade with Les Ambassadeurs with Salif Keita in Bamako, he has been a force within Malian music for a number of years, receiving the Knight of the National order of Mali in recognition of his contribution to Malian culture and music. Idrissa is an amazing person, by day he teaches music to visually handicapped children and teaches them to read through the use of braille; in the evenings he then plays his music. Rooted in the blues, there are obvious comparisons to Ali Farke Toure and Boubacar Traore, but there is a freshness and originality to his music.
source: biography for 2003 international realease of 'Kote' [wrasse]


Listen to Ouili Ka Bo fom the session



SOUMAORO-IDRISSA-20040516_Kershaw Session BBC


setlist: 1.Ouili Ka Bo (Go Away) / explanation by Idrissa / 2.Wari (Money) / 3.M'ba Den Ou (Brothers and Sisters) / explanation by Idrissa  / 4.N'taki (Gangsters)
bc.2004.May.16, BBC Radio 3 - Andy Kershaw [rec.date unknwon]
line-up: Idrissa Soumaoro - vocals, guitar, kamele n'goni

As this is a short session, I searched for more from Idrissa, couldn't find. And therefore settled as bonus for a [short] session by "Les Ambassadeurs [a Trois]":

setlist: b1.Primpin / interview with Salif Keita / b2.Djata
bc.2015.Jun.12, France Inter - Partons en Live [seems live broadcast]
line-up: Salif Keita - vocals, guitar / Ousmane Kouyaté - guitar / Guy Nwogang - percussion
note: both tracks originally released in 1981 on Les Ambassadeurs Internationaux [LP, Sako Productions #SP.002]


More about Idrissa Soumaoro at

  • very good post at Wallahi Le Zein! - incl.audio from his 1969 solo recordings for Radio Nationale du Mali [highly recommended]
  • 2004 interview at Mali-Music [incl.in download]
  • 2004 interview at The Independent [incl.in download]
  • 2004.December Idrissa won the RFI World Music Award 
  • 2010 article about the release of Djitoumou at RFI Musique [in French]
  • 2015 interview at Africa Vivre [in French]
  • 2015 interview with 3 Ambassadeurs [incl.Idrissa Soumaoro] at RFI Musique [in French]

Discography of Idrissa Soumaoro:

1969: recordings for Radio Nationale du Mali - audio from tapes available at Wallahi Le Zein!
197x: Petit Imprudent EP [7" EP, Safie Deen #S.33] - at les disques africains
1978: Idrissa Soumaoro & L'eclipse - Ampsa / Le tioko​-​tioko [LP, Eterna #830084]
          reissued in 2014 by singasongfighter
2003: Kote [CD, Wrasse Records/Syllart Production]
2010: Djitoumou [CD, Lusafrica]
1970s & 2015: several releases with Les Ambassadeurs


NEVER EVER FORGET:

"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Thursday 3 October 2019

Recent videos of Kadé Diawara [2018]

Note: though it's a pure coincidence that I post this now, one day after Guinee celebrated its 61 years of independence on October.02, it's fitting perfect!


Searching for more info about my previous post, Fodeba Keita and the Ballets Africains, I came across recent videos of Kadé Diawara, about who I have made several posts [incl.K7s] on this blog in 2016.
She seems to be doing much better than the latest information I could post about her in 2016, so herewith 2 videos about her [both from 2018.March], in which she is even singing with full power at the age of 78 [! she's born in 1940!]

I'm still alive [Kadé Diawara] - 2018.Mar.01




Kadé Diawara - The golden voice of Guinean music, worried - 2018.Mar.10

Kadé Diawara worried... about the unemployment of her grandson




2019.Sep article by Justin Morel Junior [Guinean writer, a.o.Syliphone liner notes, and journalist]

Here the most recent news, an article by Justin Morel Junior published 2019.Sep.09 at guineeconakry.online

It's in French, so herewith a quick [google with corrections] translation of the first and last lines:
"The Guinean musical encyclopedia, The limpid Voice pure and stainless Hadja Kadé Diawara has devoted her whole life to raising loudly Guinean musical repertoire. "The Archangel of Manding" as affectionately called by Justin Morel Junior, gave her body and soul for 53 years to defend the rich Guinean cultural heritage through music. Today, more than 79 years old, and despite her recurring health problems, the old lady is always ready for the enhancement of Guinean and African culture.
......
Kadé Diawara is a source of knowledge, a monument for Guinean and even African culture. It's nice to do well, but doing it on time is better. Bravo!"




NEVER EVER FORGET:

"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)