Monday, 31 December 2018

Arby Khaira 2018.April interview Bamako - Sahara VPRO [video]

For today, in my humble opinion, the most boring one in 12 months, no audio, but video upload to enjoy [and remember Khaira Arby]

Interview with Khaira Arby made around 2018.April in Bamako
[note: Khaira Arby died, aged 58, 2018.Aug.19 in Bamako]
This is part of the brilliant Sahara series made by Bram Vermeulen for VPRO, in which he travelled from the west coast of Mauretania through Mali, Niger all the way to the east coast of Sudan. Chad wasn't visited and flown over, because it was too dangerous there.
Though there is very little local music in the series, like Khaira Arby, it's HIGHLY recommended by us here from Pays de Mangues.
The series is made for Dutch television, but most of the language spoken is French and English, only sometimes some Dutch or local language, so pretty easy to follow for non-Dutch speakers.

Full info about the series at (incl.links to watch the
individual parts: 1.Mauritania / 2.Mali / 3.Niger - Zinder / 4.Niger - Agadez / 5.Sudan)

PS: sometimes the sound (in the VPRO player) is doubled, my solution is to switch the sound in the player off, the 2nd sound remains and is synchrone with the pictures

And now that we're playing with videos, two playlists for you to enjoy

Uploads by henkrut:
Fatala from Guinee / SeneMali from guess where... Senegal and Mali / Stella Chiweshe live in Germany / Four Brothers live in London

The very inspiring Fatoumata Diawara with videos about and from her 2018 release Fenfo - Something to Say (videos are provided with subtitles to be switched on)

"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

*if you haven't seen yet, check wrldsrv's tribute to Kasse Mady Diabate

*playlist with the by Ngoni recommended videos

Sunday, 30 December 2018

Bitori - 2017.Oct.27 WOMEX Katowice

Now a favourite from me, I wanted to post for some time, from a country not featured before here in Mango Land. Had only 4 live tracks and searched for some more, now stop searching and give to you to enjoy, what I collected so far...
Bitori ft. Chando Gracioso (source: culturebox)
LEGENDS OF FUNANA RETURN - Masters of the once forbidden music of Cabo Verde.
When iconic singer Chando Graciosa invited master accordionist Bitori and bass player Danilo Tavares to record a Funana album in Rotterdam in the early '90s, they couldn't have imagined the impact it would have still in the 21st century. 20 Years after the 1997 release of that innovating album 'Bitori nha Bibinha', they were reunited: Prompted by the re-release (2016.Sep) of that record on renowned label Analog Africa, founder Samy Ben Redjeb reached out to the old crew to create a live band, partenring with Kokako Music to take on management and bookings.
At age 79 Bitori is going stronger than ever! An inspiration to many generations, this gaita player continues to baffle both audiences and artists, with his unique technique, energy and style.
Now, with an all star line-up, they are touring the globe, sharing their exhilarating, refined yet raw, infectious dance music of 'Funana':
Complimented by the veteran Toy Paris on drums and multi instrumentalist Miroca Paris on percussion (12 years with Cesaria Evora), the band has already wowed crowds, made them dance and celebrate life.
-- from womex promo: 

Listen to Bitori Nha Bibinha live at Womex 2017

BITORI 2017.Oct.27 at WOMEX in Katowice [rec.RTP-VPRO]

setlist: 1.Bitori Nha Bibinha / 2.Cabelo / 3.Futi Futi / 4.Didi di Rez
1-2: bc.2018.Mar.16, RTP - Raízes *
3-4: bc.2018.Aug.11, NPO Radio S&J - VPRO Vrije Geluiden

line up: Bitori (Victor Tavares) - accordion / Chando Graciosa - lead vocals, ferro / Danilo Tavares - bass, vocals / Miroca Paris - percussion, vocals / Toy Paris - drums, vocals

bonus: Bitori - Funnana (2015.Apr.18 live from Atlantic Music Expo - AME)
bc.Radio 3 from Spain - 2015.Apr.18 - Taratana - Cabo Verde

*RTP - Raizes [=roots] highly recommended radio show, regularly playing live shows recorded all over Europe, and with an extensive archive, CHECK IT OUT!! (unfortunately coudn't find playlists)

More Bitori to listen, watch and read about:

  • News from 2016.May.28 about release - mixedworldmusic [incl.2 old 2008/2010 videos] 
  • Very good 2017 interview with Bitori - pan-african-music [incl.nice pics and short live videos]Womex 2017 - Field Report by Tom Pryor - afropop
  • Bitori in concert at Festival Banlieues Bleues 2017 - video (available till 2019.Apr.23)
  • Bitori at VPRO Vrije Geluiden - TV show of above VPRO radio show [incl.3 videos] 


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Saturday, 29 December 2018

Kiran Ahluwalia & Souad Massi - 2018.Apr.19 KEXP Session

And now let's go to some other parts on other globe, like the two ladies did cq.had to do also. Kiran Ahluwalia born in India, moved first to Canada and now living in New York; Souad Massi born in Algeria, after death threats (because of playing in the political rock band Atakor) left the country and settled in Paris, France.
Kiran Ahluwalia & Souad Massi - 2018.April, Seattle (from facebook)


An eclectic celebration of love and diversity through music and dance.
Throughout the ages people have struggled to extend the love and respect offered to those familiar to us to others who are different and unknown - to minorities, immigrants, refugees and other vulnerable members of society. Artists, musicians, and religious and civil leaders alike have all advocated variations of the theme "Love your neighbor" or "Welcome The Stranger." This call to acknowledge the common humanity of all people - and by extension their individual human rights - is a founding principle of modern society.
Kiran Ahluwalia’s LOVEfest combines the talents of sacred and secular artists from both Muslim and Sikh traditions (two communities currently experiencing an alarming rise in hate crimes). Featuring the passionate vocals of Kiran Ahluwalia (from India), inspired Arabic songwriting of Souad Massi (Algeria), combined with traditional Sikh temple singers (here for the first time on the concert stage) and the colorful whirling of Egyptian Tanoura Sufi dancers, LOVEfest illuminates a diverse world of cultural artistic expression; offering performers and audiences alike an opportunity to "Welcome The Stranger."
-- source:

Listen to Kiran and Souad performing Deb (written by Souad)

AHLUWALIA & MASSI - 20180419 Session KEXP

Kiran Ahluwalia & Souad Massi - 2018.Apr.19 KEXP Session
Kiran Ahluwalia: DJ intro / 1.Khafa - Up In Arms / interview / 2.Saat - Seven / interview
Souad Massi: 3.Hayati / interview / 4.Amessa / interview
Ahluwalia & Massi: 5.Deb / DJ outro
bc.2018.Apr.19 in Wo' Pop at KEXP
i know this session is listenable at KEXP and upped on it's youtube channel, but I like this so much that it deserves a separate posting here in Mango Land!

So far they only played together for about a month in the US, I hope that their LOVEfest will go all over the world, and especially those places where it is mostly needed!
Like in Yemen, East-Ukraine & Syria, after peace is agreed between the fighting parties; in Hungary currently under the yoke of xenophobia spread by potential dictator Orban; etc...

Profiter de la musique!
Always EAT them RAW!!!

Friday, 28 December 2018

Habib Koite & Bamada - 2017.Nov.21 - Mulheim WDR3

Habib Koite 2017.Nov.21 in Mulheim (source: Radio WDR3)
Habib Koite was born in 1958 in Thiès, a Senegalese town situated on the railway line* connecting Dakar to Bamako, where his father worked on the construction of the tracks. Six months after his birth, the Koite family returned to the regional capital of west Mali, Kayes, and then to Bamako. Habib comes from a noble line of Khassonke griots, traditional troubadors who provide wit, wisdom and musical entertainment at social gatherings and special events. Habib grew up surrounded by seventeen brothers and sisters, and developed his unique guitar style accompanying his griot mother. He inherited his passion for music from his paternal grandfather who played the kamele n'goni.
On the insistence of his uncle, who recognized Habib's musical talent, he enrolled at the National Institute of Arts (INA) in Bamako, Mali. In 1978, after only six months, he was made conductor of INA Star, the school's prestigious band. He studied music for four years, graduating in 1982. During his studies, Habib had the opportunity to perform and play with a series of recognized Malian artists, including balafon master Keletigui Diabate and Toumani Diabate. Keletigui Diabate was, till his death in 2012, a fulltime member of Habib's band Bamada.
Habib takes some unique approaches to playing the guitar. He tunes his instrument to the pentatonic scale and plays on open strings as one would on a kamale n'goni. At other times Habib plays music that sounds closer to the blues or flamenco, two styles he studied under Khalilou Traore a veteran of the legendary Afro-Cuban band Maravillas du Mali. Unlike the griots, his singing style is restrained and intimate with varying cadenced rhythms and melodies.
Mali has rich and diverse musical traditions, with many regional variations and styles particular to local cultures. Habib is unique in bringing together different styles, creating a new pan-Malian approach  The predominant style played by Habib is based on the danssa, a popular rhythm from his native city of Keyes. He calls his version danssa doso, a Bambara term he coined that combines the name of the popular rhythm with the word for hunter's music (doso), one of Mali's most powerful and ancient musical traditions.
In 1988, Habib formed his own group, Bamada (nickname for Bamako residents, roughly meaning "in the mouth of the crocodile"), with young Malian musicians who had been friends since childhood. In 1991, Habib won first prize at the Voxpole Festival in Perpignan, France, which earned him enough money to finance the production of two songs. One of those tracks, "Cigarette A Bana (The Cigarette is Finished)" was a hit throughout West Africa. After the release of another successful single, "Nanale (The Swallow),” Habib received the prestigious Radio France International (RFI) Discoveries prize. This award made it possible for the group to undertake their first tour outside of Africa during the summer of 1994.
In 1995 January Habib met Michel De Bock of Contre-Jour, together they recorded Habib's first album Muso Ko, which became one of the year's most popular in the European World Music Charts. From that point forward, Habib became a fixture on the European festival circuit and began to spread his infectious music and high energy shows around the world.
summarized from

Personal notes: enjoyed several concerts by Habib Koite & Bamada (with Keletigui Diabate!) in the late 1990s and early 2000s. Later years they didn't perform near where I was living then, so haven't seen them recently, but this concert is making me interested again in seeing them perform. Allas not with Keletigui anymore, as he died in 2012 at the respectable age of 81 years (note the thanks from habib to him in the 2007 bonustrack)
*used that train going from Mali to Senegal in the early 1990s, great memories about that travel!!

Listen to Fiamani (incl.thanks to Keletigui) from the 2007 concert

HABIB KOITE 20171121 - Mulheim WDR3

Habib Koite & Bamada - 2017.Nov.21 - Theater an der Ruhr, Mulheim, Germany
setlist: (DJ intro) / 01.I Mada / 02.Terere / (DJ info and interview) / 03.Muso Ko / 04.Foro Bana / 05.Soo / Habib talks German / 06.LA / (DJ info and interview) / 07.Ntadima* / 08.Pulaku* / 09.Need You / 10.Medley - Wassiye - Cigarette a Bana - Kunfe Ta

line-up: Habib Koite - vocals, guitar / Abdoul Wahab Berhe - bass / Issa Kone - guitar, banjo, vocals / Charly Coulibaly - keyboard, vocals / Mama Kone - percussion, vocals / Mahamadou Kone - barra
bc.2018.Jan.22, WDR3 Konzert Klanglandschaft

BONUS: HABIB KOITE 20070913 - Mulheim WDR3

Habib Koite & Bamada - 2007.Sep.13 - Theater an der Ruhr, Mulheim, Germany
tracks: 1.Ma Ya*(incl.thanks to Keletigui!!) / 2.Nteri*

line-up: Habib Koite - vocals, guitar / Keletigui Diabate - balafon, violin / Abdoul Wahab Berhe - bass / Souleymane Ann - drums / Boubacar Sidibe - guitar, harmonica / Mahamdou Kone - barra
broadcasted as bonus after above concert in same program 

update: *corrections of tracks as commented by Ngoni (to be applied after downloading)


1995: Muso Ko (CD, Contre-Jour)
1997: Saramaya 2 (K7, Mali K7)
1998: Ma Ya (CD, Contre-Jour/Putumayo)
2001: Baro (CD, Contre-Jour/Putumayo)
2003: Foly! (live CD, Contre-Jour)
2007: Afriki (CD, Cumbancha/Contre-Jour)
2011: Acoustic Africa In Concert - with Bocoum and Mtukudzi ?(CD/DVD,  Contre-Jour)
2012: Brothers In Bamako - with Eric Bibb (CD, Contre-Jour)
2014: Soo (CD, Contre-Jour)

Enjoy the Show, and don't forget:
'Our Globe is Everybody's
and the Only One We Have!'

Thursday, 27 December 2018

Baaba Maal & Mansour Seck 1988-2008 Acoustic

Exactly a year ago I made my first post about music by Baaba Maal, now a follow-up with only acoustic recordings of Baaba together with his friend Mansour Seck.
Baaba Maal & Mansour Seck - 2004 in New York (source: gettyimages)

Listen to a track from the absolutely classic 1988 session

BAABA MAAL 1988-2008 Acoustic Recordings

Baaba Maal & Mansour Seck - 1988.Nov.03 - BBC Radio 1 Session
rpt.2017.Nov.03, BBC 6music Live Hour [audio in m4a at 320]
tracklist: 1.Delouya / 2.Mamadou Moussa / 3.Yela
note: probably there is a 4th track is this session, but not broadcasted in this repeat (IF SOMEBODY HAS THIS, or knows sure there isn't a 4th, please reply to this post, thanks in advance)
session first broadcasted 1988.Nov.10 by Andy Kershaw in his BBC Radio 1 show
this recording is also uploaded on youtube, but mine direct from the best quality BBC radio stream available in the past...

Baaba Maal - 2008.Jun.21 - Dutch Radio 6 Acoustic Session
tracklist: acoustic session (15min, uncut) / interview (14min, after session) [mp3 at 320]
note: recordings made in afternoon before closing concert of the 2008 Amsterdam Roots Festival and broadcasted on Dutch Radio 6 in special Festival radio show

In between above: an acoustic surprise recorded in Baaba Maal's home

As stated in last year's post, there's enough info to find on the internet about Baaba Maal, with or without Mansour Seck, here just a few links to main info:
... and another acoustic session to listen to:

planning to post in this festive period each day, so stay tuned and...

Profiter de la musique!
Always EAT them RAW!!!

Sunday, 21 October 2018

Ali Farka Toure 1987/1993 Radio Sessions

Just today I catched the 4th track I was missing from Ali Farka Toure's 1987 studio session he did for Andy Kershaw BBC Radio1.
Ali Farka Toure - picture from his artist profile on BBC's site
[seems made at the Festival in the Desert 2003]
Originally I thought that this was the so called "Kershaw Kitchen Session", which I have posted earlier, but quickly it became clear that this is a real studio session done before the "pots & pans" recordings by Kershaw himself.
As this session is "only" 4 tracks, uploaded it together with the 1993 session Ali did together with Ry Cooder for KCRW Morning becomes Eclectic [not available anymore on the KCRW site].

TOURE-AF-1987-93 Radio Sessions BBC KCRW

Ali Farka Toure - 1987.Sep.17 Kershaw Session BBC Radio
playlist: 1.Kadi Kadi / 2.Laleyche / 3.Timbarma / 4.Yulli
audio (m4a) catched from repeats broadcasted by Gideon Coe on BBC 6music 2017.May-2018.Oct

Ali Farka Toure with Ry Cooder - 1993.Sep.03 Morning Becomes Eclectic KCRW Radio
playlist: interview / 1.Ali playing the djurkel / interview / 2.Keito / interview / 3.Diaraby / interview / 4.Gomni / 5.Soukora
audio catched from repeat broadcasted in the "Morning Becomes Eclectic - 30 Years 1977-2007 Celebration"

For further info about Ali Farka Toure, incl.full discography, see this earler post.

"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Saturday, 29 September 2018

Thomas Mapfumo 1998-2002 BBC Sessions

Thomas with Guitar
gallery at
Thomas Tafirenyika Mapfumo, born in 1945 in Marondera, Mashonaland East, Zimbabwe, began his musical career playing covers of American rock and soul music before joining Hallelujah Chicken Run Band, where he began adapting traditional music of the Shona to modern instrumentation and techniques. This process included transcribing the scales and sounds of the mbira to electric guitar.
He invented and popularized Chimurenga music - literally "struggle" in Shona - which was often overtly political. In addition to his modern incarnation of traditional music, his lyrics were sung in Shona. In the late 1970s singing in Shona instead of English was a political statement in and of itself. In Mapfumo's case, it was specifically critical of the white ruling class of Rhodesia. The government, underestimating his popularity, eventually banned his records and imprisoned Mapfumo without charges in 1979. After a series of large protests demanding his release, he was set free three months later.
Though he initially celebrated the independence of Zimbabwe in 1980, he became increasingly disillusioned with the regime of Robert Mugabe. This was, again, reflected in the music he produced throughout the 1980s; mostly as Thomas Mapfumo And The Blacks Unlimited. His lyrics often addressed issues of poverty and social development. After a campaign of government-sponsored harassment, he emigrated to the United States, where he continues to live. In 2018.April he returned for the first time since 2005 to Zimbabwe to perform a concert.
Wanna know more? Read at thomas-mapfumorealworldrecords and wiki

Listen to Chiruzevha Chapera of the 2002 Kershaw Session:

MAPFUMO-THOMAS-1998-2002_BBC Sessions

1998.Jul.07 - Radio 1 Peel Session - bc.1998.Aug.11
tracklist: 1.Dai Pasina Satani / 2.Chickende* / 3.Mukadzi Wemukoma* / 4.Usatambe Nenyoka
*two tracks only from rpt.2017.Dec.04, BBC 6music Gideon Coe; tracks 1 and 4 missing
bonus: Buko Tiende* (from Hondo, 1991) played by Peel in his 1993.Dec.10 show at BFBS, about Mapfumo concert in Zimbabwe

2002.Dec.13 - BBC Radio3 Andy Kershaw - Thomas Mapfumo in session
note: date is of broadcast, recording date unknown
tracklist: intro* / 1.Mukadzi Wamukoma* / interview* / 2.Pfumvu Pa Ruzeva* / band members* // intro* / 3.Chiruzevha Chapera* / outro*

Other known sessions for BBC Radio:
-bc.1990.Aug.12, BBC Radio 1 - Andy Kershaw with Thomas Mapfumo (no audio, nor tracklist, yet)

More music by Thomas Mapfumo & the Blacks Unlimited:
Background information about and with Thomas Thomas Mapfumo at:
  • 1985.April: Thomas Mapfumo - Lion of Zimbabwe - interview in The (Reggae & African) Beat magazine
  • 2015.Mar.15: Thomas Mapfumo interview BBC Africa soundclound
    Zimbabwean musician Thomas Mapfumo speaks to Fred Dove about his unique approach to tackling music piracy.
  • 2015.Sep.11: The life and music of Thomas Mapfumo - Radio WBEZ Worldview
  • 2015.May.02: Letter from Africa - Thomas Mapfumo, Zimbabwe's lion, roars for his fans - BBC News article
    In the series of letters from Africa, journalist-turned-barrister Brian Hungwe reflects on the return from exile of Zimbabwean musician Thomas Mapfumo four months after Robert Mugabe's resignation as president.
  • 2018.Aug.26: The Art of Now - True Jit - BBC Radio 4
    Tayo Popoola looks at the changing face of the Zimbabwean music scene since the fall of Robert Mugabe, incl.interview with Thomas Mapfumo.


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Saturday, 15 September 2018

Rachid Taha 2001.Nov.13 in London

NEWS: "Rachid Taha, the singer who blended Arabic music with rock and techno, died at the age of 59 after suffering a heart attack at his home in the Paris suburbs."

Was planning something different this week, but the sad news about Rachid Taha earlier this week made me change my mind and post one of his live/session recordings I have.
2001.Jul.07: Solidays Music Festival - Rachid Taha on stage
(photo by Julien Hekimian/Sygma/Corbis/Sygma via Getty Images)
The recording was made some months after above picture, 2001.Nov.13 at the London Jazz Festival held in the Queen Elizabeth Hall, recorded and later broadcasted (in two parts) on BBC Radio 3 by Andy Kershaw.
From the info about the concert:
"Rachid Taha a charismatic performer who mixes Algerian Rai street music with techno, funk and reggae rhythms to create a hybrid sound so good that it was banned from French radio."

TAHA-RACHID-20011113_London BBC

1st part - bc.2001.Nov.16 BBC Radio 3 Andy Kershaw
setlist: a1.Ya Rayah / a2.?? / a3.Barra Barra / a4.??
2nd part - bc.2002.May.17 BBC Radio 3 Andy Kershaw
setlist: b1.Nokta / b2.Foqt Foqt / b3.Habina / (DJ outro with songtitles)

Some good (old) info about Rachid Taha:
  • Nuclear fusion - 2001.May.28, The Guardian 
  • Andy Morgan writes... about Rachid Taha:  pt.1 (2009) /  pt.2 (2009) / pt.3 (2011)
  • Rachid Taha 2000.April at Banán klub, Budapest - youtube *

*this is in special honour of the MEPs in the EU parliament, who this week at last took a clear stand against the anti-democratic government of Hungary!
Thank You All - And Please Continue To Stop Them!!!

remember Rachid Taha, Khaira Arby and Pap Djah together

Sunday, 9 September 2018

Stella Chiweshe 1988-91 - Peel Sessions

"When I first heard the Sound of the mbira, I wanted to hear more of it everyday. I got sick and tired of making trips in search of mbira players to play for me to such an extend it caused me to learn the mbira so that I could play for myself. There were no mbira players in Masembura near Bindura where I lived". -- Stella Chiweshe

Stella Rimbisai Chiweshe born 1946 July 08 in Mujumhi, a village in Mhondoro Zimbabwe, the woman now known by her people as Ambuya Chinyakare (Grandmother of Traditional Music) has had to struggle hard every step of the way to becoming her true self, the Queen of Mbira. The colonial power, Britain, had banned the mbira, a traditional instrument of the Shona people. The Church told her that it was the work of the Devil and even her own people told her that it was taboo, an instrument that a woman could never play.
Yet by the mid-sixties, she had become recognised as a gifted maridzambira (mbiraplayer), playing at healing ceremonies, funerals, concerts and important parties and her debut single, "Kasahwa", had gone gold. After Zimbabwean independence in 1980, she was asked to join the National Dance Company (NDC) and toured throughout Zimbabwe, Mozambique, Australia, India, China, Korea and Europe. She left the NDC in 1985 when requests for her to play solo had expanded.
Since 1987 she has been on a continual tour of Europe, North America and Oceania, she participated in the WOMAD festivals (1994 in the United States, 1995 in Australia, and 2006 in Spain). In 2004 she toured England with her daughter. In addition to performing as a soloist, Chiweshe often performs in combination with guitars. She has also organized an international women's music festival in Zimbabwe.
So far she has recorded 22 local singles and 7 international albums. She become the first Zimbabwean female mbira player to gain international recognition, been awarded an MA from Harare University in 2003, won two ZIMA Awards in 2005 and healed countless troubled souls.
biographical info from and piranhashop
For a full chronology see the wiki page about Stella Chiweshe

CHIWESHE-STELLA-1988-91_Peel Sessions

Peel Session #1 - rec.1988.Mar.06 [bc.1988.Mar.14 / rpt.1988.Apr.06 and 1988.Dec.20]
tracks: 1.Kachembere / 2.Kana Ndikafa / Chapfudzapasi [missing]# / 4.Vana Vako Vapera
#tracknr.3 missing from these radio recordings, but listenable at youtube
notes: released in 1988 on
Ndizvozvo (12" EP, Piranha #pir.21)
line-up: Stella Chiweshe - vocals, mbira. ngoma, clapping / Virginia M´Kwesha - mbira, hosho, clapping, chorus / Leonard Ngwenya - soprano marimba / David Tapfuma - baritone marimba / Joshua Areketa - drum kit / Tonderai Zinyau - bass guitar

Peel Session #2 - rec.1991.Jun.06 [bc.1991.Jul.20 / rpt.1991.Dec.20]
tracks: 1.Chimbochababa / 2.Serewende / 3.Guarangu / 4.Shungu
line-up: Stella Chiweshe - vocals, mbira, marimba / Gordon Mapika - drums / Eric Makakora - bass / Ephraim Saturday - guitar / Chinembira Chidodo - mbira / Leonard Ngwenya - marimba / Gilson Magoma - marimba

Bonus: John Peel playing in 1989 the song Katchembere with his in- and outros explaining some of "it's meaning"

Discographies see stellachiweshe / piranhashop / asahi-net  / musiques-afrique
There's music available directly from Stella's official bandcamp

PS: Stella was featured more than 2 years ago here in the Tour of Africa 2 (from Nigeria to Ethiopia)


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Saturday, 8 September 2018

Tinariwen 2017.Mar.07 - Liverpool BBC Radio 3

As promised more than a year ago, and later requested by several followers of my blog (who I kept waiting for so long, sorry), herewith the complete BBC recordings of the concert Tinariwen gave on 2017.March.07 in Liverpool.
picture made at concert by David J.Colbran

It's the whole broadcast, cut into music and talking parts, so didn't come to cutting it into individual tracks (splitting m4a-files is really a too long drag for me now).
At the end a bonus, broadcasted in the same radio show after the concert recordings, and as it is directly related to my previous post (about Khaira Arby) makes it pretty neat!!!

TINARIWEN-20170307_Liverpool BBC

concert recorded 2017.Mar.07 by the BBC and broadcasted 2017.Apr.21 Radio 3 in World on 3 (recently renamed to Music Planet)

setlist: (DJ intro) / [concert pt.1] 1.Tinde / 2.Nizzagh Ijbal / (interview Abdallah) / [concert pt.2] 3.Issekad / 4.Tifawt / 5.Tamiditin Tan Ufrawan / 6.Kel Tinawen / 7.Ténéré Tàqqàl / 8.Chabiba / (talk with Andy Morgan) / [concert pt.3] 9.Ittus / 10.Tamatent / 11.Talyat / 12.Assawt / 13.Sastanàqqàm / 14.Nannuflay / 15.Tiwayyen / 16.Imidiwan Winakalin / (DJ talk) / [concert pt.4] 17.Cler Achel / 18.Ourshan / 19.Chaghaybou / (DJ talk)
bonus: Khaira Arby - Assa Dakmar (Festival au Desert 2003 - BBC World Music Archive) / (DJ outro)

*more details about timing etc.on BBC page and in textfile in downlaod
*pictures of concert found on internet shortly after broadcast are included in download (incl.sources)

Remember Khaira Arby next to Pap Djah

Sunday, 2 September 2018

Khaira Arby 2011.Jul.02 Festival Hertme

After a much longer hiatus than planned back on the blog.
What made me to make time for posted is the sad news of the death of Khaira Arby on Aug.18 in a hospital in Bamako. As I was very much occupied with a lot of work, the news reached me only a few days ago, but it immediately did me decide to dig into the archive for a special post in remembrance of the "Nightingale of Timbuktu".
Khaira Arby 2014 April in Bamako, Mali - photo source: The Independent
(photo credit: Sebastien Rieussec/AFP/Getty Images)
What I have for you is the concert of Khaira Arby at the 2011 Afrikafestival Hertme, broadcasted shortly afterwards on (unfortunaltely deleted) Dutch Radio 6. Don't have songtitles, nor ever came to splitting the audio, so one file for you to remember Khaira Arby with enjoying an inspired concert by her and her band.

ARBY-KHAIRA-20110702_Afrikafestival Hertme R6

as bonustracks are included some recordings by Andy Kershaw of her, then named Haira Arby, in 1989 in Timbuktu and in 2003 at the Festival au Desert [all done for and broadcasted on BBC Radio]

Other media about Khaira Arby:
  • APWW remembers Khaira Arby - Afropop (incl.videos of 2003 Festival in the Desert and 2010 International Tour)
  • Obituary 2018.Aug.31 in The Independent 
  • videos on Afrikafestival Hertme's own youtube channel - from AFH337 till AFH345
  • Khaira, as Haira, Arby featured in my post about the 2004 Festival au Desert
  • Unreleased Ali Farka Toure & Khaira Arby recordings made mid 1980s, available at VoA (note: posted by Matthew Lavoie currently of Wallahi Le Zein!)

Khaira Arby 2011.Jul.02 Afrikafstival Hertme
(source: afrikafestival.hertme )

Remember Khaira Arby next to Pap Djah

Saturday, 17 February 2018

Music From Sudan and Egypt 2011 in Austria

On to an area which has not much (only once) been visited here. The Tour of Africa pt.2 ended in Ethiopia after having passed through Sudan, now let's go from there along the Nile all the way up the Egyptian coast at the Mediterranean Sea.

Abdel Gadir Salim (from Sudan) and El Tanbura (from Egypt)
2011.Jul.30 at Glatt & Verkehrt Festival in Krems, Austria
source: Glatt & Verkehrt 2011 - Ein Rückblick

Abdel Gadir Salim (from Sudan)

Abdel Gadir Salim is a folk singer and bandleader from Sudan. He is one of the most well-known Sudanese singers in the West, having performed around the world and recorded in many nations including England.
Salim was born in the village of Dilling, Kordofan province, amidst the Nuba Mountains in the west of Sudan approximately in the 1950s. Salim trained in both European and Arabic music at the Institute of Music in Khartoum, beginning with Oud at the behest of a friend. By 1971 he changed from composing urban-styled music to country tunes. Seeking out traditional and colloquial songs to perform, he began in his native Kordofan and Darfur. Rarely writing his own lyrics, the songs he finds range from politically-aware, educational arguments to love ballads. Salim is noted for maintaining a neutral repertoire that keeps him from irritating the Islamic government of Sudan.
Many of Salim’s rhythms come from traditional, such as wedding, dances, often in strident 6/8 beats. Some of the beats, from desert areas, are modeled after the gait of camels. His sonorous voice, influenced by Egyptian styles, comes often in a long, steady croon. Often his music is called ‘Egyptian Pop.’
Salim’s lyrics, and the English interpretations thereof, give valuable insight to Sudanese culture. One song, called Al-Lemoni, compares a beautiful woman to a lemon. The record jacket explains that the Sudanese refer to their skin color as green as opposed to black or brown. Therefore to compare a woman to a lemon is poetic flattery. Jeenaki, or “The Return of Geese,” describes how the sight of geese is a welcome indication of rain in the desert of river-scarce Sudan, where flocks of geese alight to drink from pools.
Salim performs solo at times, though most often with his group, the All-Stars. Hamid Osman Abdalla, the saxophonist, comes from Dilling as well.
Salim shared duties in his careers as international performer and as headmaster of a school in Chad between at least the mid-1980s and the mid-2000s. According to a statement on the back of his album Nujum Al-Lail (Stars in the Night) (1989, Globe Style, UK), the two careers harmonize without strain.

El Tanbura (from Egypt)

El Tanbura are a collective of veteran Egyptian master musicians, singers, fishermen and philosophers. For the past seventeen years they’ve been custodians of some of Egypt’s oldest folk melodies at their home in Port Said, the Mediterranean gateway to the Suez Canal.
No one knows the exact origins of the Simsimiyya. One Egyptian legend tells how the first instrument was fashioned from the shell of an unfortunate turtle that had swum too far along the Nile and ended up as dinner for a hungry musician. Other stories say the Simsimiyya has existed for centuries in the Arabian Gulf, and her music (the lyre is always referred to as feminine and her players as lovers) has the ability to calm the waters of the Red Sea. Another folk tale attributes her origins to a mysterious enchanting Siren who slowly seduces both the lover and the audience with mesmerising melodies derived from ancient exorcism rituals.
We do know that the instrument only arrived in Port Said during the 1930s; much to the frustration of the local Suhbagiyya (musicians) who had previously enjoyed the undivided attention of local audiences with Damma songs - a fusion of Sufi inspired vocal chants and frenzied drumming. It was only after the Suez Crisis of 1956 that Dama and Simsimiyya musicians embraced both repertoires. The War drew the former rivaling musicians together as the Simsimiyya provided a voice for the resistance movement through protest songs; a tradition that continued in the subsequent War of 1967 and exile of the people of Port Said during the Israeli occupation of Sinai. In exile, the diaspora communities would gather and sing the old songs reminding them of home.
In the 1950s Zakaria Ibrahim, El Tanbura’s founder, first heard the Suhbagiyya in Port Said as a young boy. The music he heard as a child haunted him all of his adult life and, on returning to Port Said in 1980, and seeing the desperate musical conditions, he spent nine years seeking out the old masters and building friendships, trying to convince the musicians to perform once again. And El Tanboura group was born.
At first, news of the group’s rehearsals drew scorn and ridicule from the commercial musicians; however the infectious atmosphere of the initial performances convinced others with an interest in Sufi philosophy and the pre-War traditions of Port Said to join the floating collective of El Tanbura’s members.
Over time, the band grew to include not only folk musicians and percussionists, but dancers and singers drawn from local fishermen, market traders and builders, alongside the unlikely addition of master instrumentalists from some of the State-approved music troupes who were desperate to perform with others who had a vibrancy of spirit and to play long-forgotten songs from antiquity - praising something other than the government approved subjects.
Band members dress in an eclectic mix of gallibiyas and Levis with Gucci sunglasses, fez and Nike caps. Their music is driven by the seductive call of the Simsimiyya. They perform regularly in Port Said and at Masrah El Damma in downtown Cairo.
More about El Tanbura in the Media:
*2006.Oct.17: El Tanbura - Egyptian folk music at its best -
*2017.Nov.24: Celebrating three decades of folk band El Tanbura -

Listen to a track by El Tanbura:

SALIM, ABDEL GADIR and EL TANBURA - 20110730 Festival Austria (R6-ORF)

Abdel Gadir Salim Band:
1.Stars of the Night / 2.Gota Nagany (I Want to Sing) / 3.Gedreschine (Small Girl)
El Tanbura:
1.Lover of Art* / 2.25 January (revolution song) / 3.Laly

Both recorded 2011.Jul.30 by ORF at Glatt & Verkehrt Festival in Krems, Austria
Both broadcasted 2012.Aug.04-11 by Dutch Radio 6 VPRO in De Zaterdagavond
note: *has some 10sec.distortion at ca.3min (from the original broadcast/recording)

Request: I suppose there are more recordings made of these performers at that festival, and most likely broadcasted also by Austrian and/or other European radio stations. If anybody has those, I am very interested... (so please write in comments)

Discography of Abdel Gadir Salim:
only international realeses, local K7s and vinyl unknown and/or unreadable (for me at least)
1987: Sounds of Sudan Vol.1 - Songs from Kordofan (LP)
1989: Nujum al-Lail - Stars of the Night (LP/CD)
1990: VA - Sounds Of Sudan (CD) - 3 tracks by Abdel Gadir Salim - bandcamp
1991: The Merdoum Kings Play Songs of Love (CD) - bandcamp
1999: Le Blues de Khartoum (CD)
2005: Ceasefire (with Emmanuel Jal) (CD)

Discography El Tanbura:
1999: La Simsimiyya de Port Said (CD)
2002: Noh El Hamam (K7)
2003: Ahwa Qamar (CD/K7)
2006: Between the Desert and the Sea (CD) - bandcamp
2009: Friends of Bamboute - 20th Anniversary Edition (CD) - bandcamp
2013: January 26th (CD)


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Sunday, 11 February 2018

Bassekou Kouyaté & Ngoni Ba - 2015.May.06 Muhlheim a.d.Ruhr

Some more recent live recording now. I thought I hadn't posted anything from Bassekou Kouyate & Ngoni Ba yet. But after having prepared this post, found out that I featured them before together with Tamikrest.

Bassekou Kouyate & Ngoni Ba (source: theater-an-der-ruhr)
For biography and discography best head over to their entry at Frank Bessem's Musiques d'Afrique and a pre-Ngoni Ba biography written in 2004 at mali-music (archived by

Listen to a track

KOUYATE BASSEKOU 20150506 - Mulheim ad Ruhr - WDR3

Setlist: 1.Te Dunia Laban / 2.Abé Sumaya / 3.Ayé Sira Bla / interview / 4.Jama Ko / interview / 5.Siran Fen / 6.Poyi / 7.Ngoni Fola / Band Presentation / 8.Waati / 9.Kanjko / 10.Ne Me Fatigue Pas / 11.Tama Jam / 12.Ngoni Jam with Guantanamera

Recorded 2015.May.06, Theater a.d.Ruhr, Muhlheim a.d.Ruhr, Germany
Broadcasted 2015.May.21, German radio, WDR 3 Konzert 20-22hr


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Wednesday, 7 February 2018

Dr.Oloh & His Milo Jazz Band - Peel Session 1991.Oct.10

Just before the weekend I catched the flue (or the flue catched me). So wasn't able nor feeling for posting some more music. Now in the last days of getting better started checking other blogs and the lastest entry on Wallahi Le Zein! gave me the idea for this post.

Short bio from wiki
Israel Olorunfeh Cole, commonly known by his stage name Dr. Oloh, was born on 1944 March 20 in the mountain village of Leicester, near Freetown in the Western Area of Sierra Leone to a Nigerian mother and a Creole father. He was a Sierra Leonean afropop and Jazz musician and led a band known as Milo Jazz. Dr Oloh is widely considered as one of the biggest musicians from Sierra Leone. His hit singles were very popular in Sierra Leone in the 1970s, 1980s and early 1990s. He was awarded the OR (Order of Rokel) by the Sierra Leonean Government in 1989. Dr.Oloh and his band toured the UK a couple of times, during those tours they recorded several sessions for BBC Radio (for sure 2-times for John Peel; and may be for Andy Kershaw). Dr.Oloh died 2007 October 13 after a short illness.

Extended Biographies and tributes to Dr.Oloh (after his death in 2007) - standardtimespressawokothepatrioticvanguard (republished 2017.Feb)

Listen to a track from Peel Session #2 (rec.1992.Sep.03)

DR OLOH 19911010 Peel Session BBC

Peel Session #1 rec.1991.Oct.10 - bc.1991.Nov.09 - rpt.1991.Dec.29
tracklist: 1.Cobbah Me* / 2.Yawohammi* / 3.Aleluyah Tumbay* / 4.Ajuba*
source: recording of 1991.Dec.29 BBC Radio 1 John Peel Show (full session)
stream of repeat 2017.Oct.10 BBC 6music - Live Hour (tracks 1/3/4)

Line-up: Mohammed Dean - tempo bass drum, backing vocals / Mohammed Kamara - bass drums, backing vocals) / Abdul Bangura - bass drums, backing vocals / Sineh Konika - lead drums / Brima Kamara - tenor drums / Alie Kamara - triangles, backing vocals / Dr.Oloh - lead vocals

Bonustrack: 3.Balua of Peel Session #2 (rec.1992.Sep.03)

More about Dr Oloh & His Milo Jazz Band


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Sunday, 28 January 2018

John Chibadura - 1991.Aug.08 - BBC Radio 1 Session

At the end of last year around the time of the happenings in Zimbabwe I was thinking about posting (again), well didn't come to it then, and only restarted a little later during the Christmas period.

John Chibadura (left) with Bata “Manyowa” Sinoio (source: thestandard)
Therefore now finally (again) a post with music from Zimbabwe. Last year was posted John Chibadura & Tembo Brothers' one and only Peel Session from 1989, this time a BBC session from 2 years later. Most likely it's a session recorded for Andy Kershaw, that would be their 2nd session for his show, but couldn't find anywhere full confirmation of this.

For biography and discography of John Chibadura visit the mentioned previous post.

Listen to the first song from his 1989 Peel Session

CHIBADURA-JOHN-19910808_Kershaw Session BBC

BBC Radio1 Session recorded 1991.Aug.08 (for Andy Kershaw?!?), unknown
tracklist: 1.Kunatsa Hama / 2.Lovemore / 3.Hosana / 4.Zuva Refuka
source: repeat 2017.Aug.16 in BBC 6music Live Hour

More about John Chibadura & Tembo Brothers: 

  • My Music: Andy Kershaw
    Question: What is the best record you have ever bought on impulse?
    Kershaw: John Chibadura's $5000.
  • Andy Kershaw: "There isn't a guitarist in the West fit to fondle the plectrums of these guys [guitarists from Zimbabwe]." 
  • Andy Kershaw about John Chibadura in his book "No Off Switch - chapter 31 - Andy & Biggie in Zimbabwe" -  page 280/281
  • "John Chibadura & the Tembo Brothers" (tribute at Feile Africa
  • "On the road with John Chibadura" (2017.Aug.27, The Standard)


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own in the Sahara desert (in Niger)

Saturday, 20 January 2018

Diblo Dibala And Matchatcha - 1994.Nov.19 - Peel & Kershaw Session #2

OK, now something really "out of the mangue box", nevertheless delicious...
Diblo Dibala guitarist from Congo (source: Peel Wikia)
Diblo Dibala, born in 1954 in Kisangani in the Congo (now Zaire), of the Baluba people, is one of the hottest African Soukous lead guitarists around. At the age of 6 Diblo moved to Kinshasa and by the age of 15 he was playing guitar in the great Franco's TPOK band. In Kinshasa, Diblo continued to master his lava-hot guitar chops with such top Zairean bands as Vox Africa, Orchestre Bella Mambo, and Bella Bella.
In 1979 Diblo left Zaire and landed in Brussels where he played a rented guitar and washed dishes to make money. In 1981 he moved to Paris, where the Soukous scene was a happening thing. He rejoined Kanda Bongo Man, who he had played with in Bella Bella. Their first album, Iyole (1981), was a big hit: Kanda became a big star, and Diblo became the most sought-after session man in Paris. Diblo's huge European success with Kanda Bongo Man led to the formation of his own band, Loketo (which means 'hips', as in 'shake your...'), featuring the work of the gifted vocalist Aurlus Mabele. By this time Diblo was the dominant Soukous session man in Paris and he was in great demand. On recordings by such Soukous giants as Kanda Bongo Man and Pepe Kalle you can hear them calling out "Diblo" when guitar solo time comes around. In 1990 Diblo left Loketo to form Matchatcha (which means "a type of flower that produces an itch").--Janet Planet, The African Music Encyclopedia
John Peel and Andy Kershaw, on learning Diblo was making an appearance at Stern's African Records, raced there to get his autograph. Diblo repaid the compliment by giving name checks to both of them on 'Matchatcha Wetu'.
  • "Another gig that I've been to in the recent past, and one of the very best that I've been to in my entire life, featured Matchatcha with the guitar player Diblo Dibala from Paris. I'm not a dancing man, to be perfectly honest with you, cos I haven't really got the figure for it, but on this particular occasion I was dancing away like nobody's business, and the high point of the entire magical evening came when he played a new song from the new LP, called O.K. Madame, and the song is called Matchatcha Wetu, and what is particularly significant about this, and this is egotistical of me, I admit it in advance, but if you listen very carefully to this record, one minute and fifteen seconds into it, Diblo goes "Andy Kershaw" (that's the name of one of my colleagues at the radio station I work for in London), BBC, John Peela." You have to listen very carefully to catch it, but believe me, to hear Diblo singing your name on stage is one of the greatest things that's happened to me in my entire life." --Peel Out In The States
all info sourced from:

Listen to Diblo Dibala - Afropop recording at 50:50min in the show:

DIBALA-DIBLO-19941119_Peel Kershaw BBC

Diblo Dibala And Matchatcha - 1994.Nov.19 - Kershaw & Peel Session #2
tracklist Peel: 1.Intro / 2.Lye (an interjection of happiness] / 3.Kangaroo (a dance) / 4.Destin*
tracklist Kershaw: 5.Fodi* (Zaire folk style) / 6.Oliva* (A Girl) / 7.Soupou* (A Soup) / ?.[probably unknow 4th track]
NOTE: only tracks marked * in download (hoping for others to show up...)

-Peel Session (1 track): bc.1995.Jan.14 Peel Show (taped and shared through Peel Group)
-Kershaw Session (3 tracks): rpt.2017.Mar.02, 6music Gideon Coe (captured HQ radio stream)

line-up during sessions:
  • Diblo Dibala - guitar
  • J.P. Kinzaki - rhythm guitar
  • Miguel Yamba - bass
  • Komba Bello Mafwala, Dely Mpeletu and David Mondoand  - vocals
  • Antoinette Yelessa and Joelle Esso - dancers

More Diblo Dibala


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own
in the Sahara desert (in Niger)

Sunday, 14 January 2018

Julien Dembélé - 2011.Jul.03 - Afrikafestival Hertme NL

Was going through not sorted files, looking for something 'out of the box' to post, and found a 2011 recording of Julien Dembélé, unknown to me, at the Afrikafestival in Hertme. Played it, liked it a lot, started searching info about him, and guess what, he's from Mali (so not so 'out of the manguetic box').
Julien Dembélé from the Bobo area in Mali (picture from maliweb)

Julien Dembélé was born in a Mandiakuy griot family, in the Bobo area, in the center of Mali. From an early age his father taught him to play the balafon and the n'goni. At the age of eight he got his first guitar that he learned to play himself. Later he learned to play also piano.
Julien devotes his life to music and plays in various orchestras. Nowadays he sings and accompanies himself on guitar. Together with a balafon player and a percussionist (on gourds) he plays regularly in the cultural center Santoro in Bamako. He is the author and composer of all his songs and sings in the Bambara and Bobo.
For the Afrikafestival he comes from Mali and plays together with musicians residing in the Netherlands Zou and Dra Diarra (formerly of Super Biton and Super Djata Band).
--translated from:

DEMBELE-JULIEN-20110703_Hertme R6

setlist: unknown, several songs flow into each other, so not split up into separate tracks (and no soundcloud to listen when downloading)
source: broadcast 2011.Aug.23 - Dutch Radio 6 - Radio 6 Live Show

More info about Julien Dembélé (found very little):

  • Echostar: Julien Dembélé sings "Saraka" to make a place for himself in the sun
    2012.May.31, maliweb (in French)
  • Ab de Haas: Julien Dembele, about 2013 concerts in Holland
    2013.Apr.25, abdehaas in Dutch

Something more to listen/watch:

  • Julien Dembélé's official soundcloud, with some recent recordings
    note: with electronic backing instead of the acoustic in the live recording
  • Two youtube videos ca.2010, uploaded by yoshimasterdam (again Holland?):
    Loylo / Saraka
    line-up: Julien Dembélé - chant et guitarre / Kalifa Koné - balafon / Issa Keita - percussion
Note: acc. (2012.Mar.20) they uploaded video of Julien Dembélé at Hertme on youtube, but it's not available anymore (disappeared for 'rights reasons')


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own
in the Sahara desert (in Niger)

Sunday, 7 January 2018

Festival au Désert 2004.Jan.9-11

A year ago I posted recordings this Festival from 2003, so now the follow-up  of 2004. Recordings made again by mps Pilot and broadcasted on Dutch Radio 4 VPRO 'Wandelende Tak'.
cold drinks at the 2004 Festival au Desert, Essakane, Mali
picture by Yann Latronche - source: gettyimages
The situation with the Festival au Desert is that it's still 'in exile'. According to a Guardian report there were plans last year to secretly organize it in late 2017 January, all involved were ready to go. But just before a terror attack happened on a military camp in Gao, which caused the death of at least 50 people, and made officials decide to cancel the (secret) festival.
This 2017/18 winter the organizers arranged a 'Festival au Desert' in a refugee camp in Mauritania together with UNHCR-Mauritanie. Let's hope the people living in the camp(s) can soon go to their homes and enjoy music in the place, where their heart is...

Listen to Afel Bocoum with Damon Albarn:

VA-DESERT-2004_Wandel Tak VPRO

playlist: 1.Afel Bocoum - Niafunke (Mali) / 2.Haira Arby - Tombouctou (Mali) / 3.Tamasheq Girls - Quinzame (Mali) / 4.Super 11 de Gao - Super 11 (Mali) / 5.Ali Farka Toure - Karaw* (Mali, from 2003 CD)  / 6.Nuru Kane - unknown title (France/Senegal) / 7.Tartit - Tihar Bayatin (Mali) / 8.Tamasheq - Takamba (Mali) / 9.mps Pilot - Desert Remix (Mali/Holland)

All audio recorded by DJ mps PILOT, 2004.Jan.9-11 at the Festival au Desert, Essakane, Mali. (*except where noted)
Broadcasted 2004.Feb.23 on Dutch Radio 4 VPRO 'Wandelende Tak' (my source is from the, not available anymore, radiostream)

Information about the 2004 Festival au Desert:

  • Sandblasters - interview with Tinariwen at the Festival (2004.Jan.08, The Guardian)
  • How the desert festival began (2004.Jan.08, The Guardian)
  • Songs of freedom - report about the Festival (2004.Jan.16, Independent)
  • In pictures: Festival in the Desert 2004 (2004.Jan.30, BBC website)
  • TV Guide: Festival in the Desert 2004 (2004.Feb, BBC Four)
  • Writings by mps Pilot about Festival not available anymore online (but my old copy included in download)
Interesting 2013 interview with Manny Ansar by Oualid Khelifi about the Festival au Desert.


"il faut me pardonner - you must forgive me"

Pap Djah's last words before left on his own
in the Sahara desert (in Niger)